Marvel Comics Essential

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Where can i find a guide to Marvel Comics' essentials collection?

a list , and if anybody knows if there will be any new ones? like excalibur, new mutants, x-force or the 90's x-men series or thunderbolts?

Try this site

http://www.marvelmasterworks.com/cornershop/buy_essentials.html

or this site

http://www.collectedcomicslibrary.com/books.html

The second site has information on 2010 releases; you just need to sort through the other trades listed. Otherwise, I would try Amazon (they usually post future items) and Marvel.com (but I find their website difficult to find anything useful).

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Marvel Comics. Marvel Entertainment, Timely Comics, Atlas Comics (1950s), List of television series based on Marvel Comics, List of films based on Marvel Comics, List of video games based on Marvel comics, Marvel Rating System, Marvel Adventures, Marvel Knights, Marvel Illustrated, Marvel Noir, Ultimate Marvel, Marvel 2099, Marvel Absurd, Marvel Age, Marvel Mangaverse, Malibu Comics, Marvel Music, Marvel Edge, Marvel Next, Marvel UK Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 114 Publication Date: 2009/10/06 Language: English Dimensions: 5.98 x 9.01 x 0.27 inches

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We imagine – World of Warcraft: The Movie

It's been on again more times than Lindsay Lohan's knickers. For nearly five years, since that first captivating cinematic intro to the classic World of Warcraft, gamers have craved a cinematic adaptation to Blizzard's magnum opus. In this article we ponder what form such celluloid sweetness might take.

 

The man behind the wheel, Sam Raimi

 

When Sam Raimi was chosen to direct Sony's multi-billion dollar adaptation of the popular Marvel comic, Spider-Man, a lot of folks couldn't wrap their heads around the decision. Raimi was a director known more for comedic, off-beat horror... not delivering summer blockbusters.

 

Fast forward a decade or so, and the decision to choose Sam Raimi as director of the World of Warcraft movie seems like WoW gold in the bank, if you will.

 

Raimi was most famous for his Evil Dead films, which included Evil Dead 1 and 2, and Army of Darkness. What attracted Sony suits however, was Raimi's ability to blend danger and humor, and his solid directorial hand.

 

It also helped greatly that Raimi was such a fan of the Spider-Man character. He knew the comic inside and out, knew what made it important, and was able to adapt this intangible magic to the screen.

 

So he knows tights and capes, but does he know his orcs, dwarves and blood elves? Oddly enough, yes! Raimi happens to be a massive World of Warcraft fan who has gone on record as having at least one maxed out main character.

 

Being a fan of the source material isn't a prerequisite for being able to direct a successful movie adaptation, but you only have to look at his work on Spider-Man, Guillermo Del Toro's work on Hellboy, Peter Jackson's work on The Lord of The Rings, etc. etc. to know that true passion for the material only helps ensure that the world of Azeroth will be represented in slavish detail. Raimi's eye for action and extensive experience working with advanced special effects over the course of the Spider-Man trilogy will only help serve him here.

 

The sad history of game movie adaptations

 

It's a shame, but the truth is that basing a movie on a videogame in Hollywood has generally meant flushing WoW gold down the drain.

 

The only consistently successful film series based on a videogame has been the Resident Evil film series, and frankly, one might argue about the quality of these adaptations, and their faithfulness to the source material.

 

And yet, they keep coming. From Super Mario Bros. to Double Dragon, Doom and Streetfighter, it's just never gone well. You only need to look at the recent failure of Disney's mega-big-budget action adventure flick, The Prince of Persia to know that there's something wrong here. Sure there was a ton spent on marketing and the films' massive budget, then why didn't it set the box office alight as expected? Was it a weak story? Lack of faithfulness to the original material? Do videogames just not translate well to the movie format?

 

Where to draw inspiration from

 

Not like Tron. These are the words of Sam Raimi when asked whether the World of Warcraft movie would follow a similar template to Disney's sci-fi videogame film, Tron, in which part of the film took place in the "real world" and the rest in the "virtual world".

 

Frankly, such a movie would probably have been seen as a bait and switch, or too artsy of a presentation. Wow-heads want to see Azeroth living and breathing, not reduced to a virtual world, otherwise what's the point of making the movie in the first place?

 

Lord of the Rings' verisimilitude. Lord of the Ring's impact on the movie making landscape, particularly in the oft-maligned fantasy genre, has been massive.

 

One of its greatest successes was the manner in which it cemented its universe, and made it seem just as real as ours. It was dark, grungy, dirty, textured, and packed with historical details that hinted at tales and legends that stretched beyond what we observed on the screen. One wouldn't suggest that a World of Warcraft movie adopt the same bleached palette (WoW is colorful after all), but we'd hope that a similar effort is made to etch and carve Azeroth's rich history into the fabric of this movie.

 

Post Avatar Tech

 

It goes without saying that since Avatar's phenomenal two billion dollar plus box office blitz, the rules have changed. Suddenly, everything has to be in 3D. But what should be of more importance for Raimi and his production team to look at, is just how James Cameron and his crew brought the world of the N'avi to life in startling detail.

 

Using the latest techniques in computer graphics and performance capture, Cameron and co. were able to capture in stunning detail every emotion, expression and twitch made by the movie's lead actors. Considering that non-human characters make up such a large percentage of Azeroth, one would hope that Raimi and his crew adopt similarly impressive techniques to bring Azeroth to life.

 

Pixar's storytelling nous

 

Everything Pixar touches turns to gold, and there's a good reason for that. At its very core, every Pixar movie has a great story, and great characters. There can't be any denying that World of Warcraft has a ton of lore, and fascinating as it is, lore alone isn't enough to get moviegoers to keep coming back. Raimi and his writing team will have to sit down, and parse a great story from all that lore, one that's faithful to the material, but not too dense that folks new to the property can't get involved. It's never easy satisfying everyone, but with the amount of money that's likely to be on the line, it'll be essential to WoW's success.

 

Speaking of success...

 

What are the real chances that a World of Warcraft film will be successful? It's hard to say, while the property is wildly popular and has appeal even beyond the traditionally hardcore, other than Lord of the Rings, fantasy movies have tended not to do very well at the box office, likewise videogame adaptations, so it has those two strikes working against it, but then, it's World of Warcraft, and it's being directed by Sam Raimi.

 

Ultimately you have to wonder whether the film will ever get made, or whether, Microsoft's failed Halo movie, will just fade away. Raimi has stated that the script is being worked on, and since directing Spider-Man 3, he has only worked on the small scale horror comedy Drag Me To Hell. Wow-heads can only hope and pray that the Hollywood machine moves quickly enough that Raimi's head doesn't get turned, because if he takes up another project, it will mean whatever director comes aboard will want to start almost from scratch on pre-production, and that's a recipe for development hell!

About the Author

Chris Coker is a freelance writer and avid gamer. He has written on all aspects of the MMO industry, focusing on his latest favorite, Star Trek Online. Check out some of his posts where he dishes out everything from ship interiors to energy credits to good old-fashioned grinding.

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Who do you think is the worst comic book character of all-time...in either DC, Marvel or Image Comics?

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The Horror! The Horror! uncovers a rare treasury of some of the most important and neglected stories in American literature—the pre-Code horror comics of the 1950s. These outrageous comic book images, censored by Congress in an infamous televised U...

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The hardcover features another 12 issues of the hit series along with the covers for the issues all in one oversized hardcover volume. Perfect for long-time fans, new readers, and anyone interested in reading a zombie movie on paper that never ends.

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Comic Book Price Guide


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Drawing Comic Book Pages Part I: Thumbnails, and Pencils Versions

Drawing a comic book page like the ones in super hero comic books can be fun but it's no game.

Readers can see and read a full colored page in 30 seconds, but it takes an artist 8 to 16 hours (or more) to produce it.

Why?

Because most professional comic book artists go through five stages to complete a full comic book page of high quality. Some of those stages require much more than an hour to complete. Stages are:

1) Thumbnails creation

2) Pencils version

3) Inked version

4) Colored version

5) Lettered version

Note: Usually, it is not one but several artists who produce a single comic book page. This is because each artist specializes in a particular stage. The end result is often better when produced by a team. And working this way also speeds up the process.

Let's describe the first two stages in this article:

1) Thumbnails creation

After reading the script (which besides the dialogs and captions may include specific descriptions and instructions from the writer), the artist spends some time imagining how the page should look so it can tell the story well (without the need of words), and it looks good and entertaining.

When the artist is done playing around with variations of the panels and the page in his (or her) mind, the artist grabs a piece of paper (usually a Letter or A4 size, blank sheet of computer printer paper), and starts sketching one or more versions of the page (often using an HB  pencil) at a very small scale.

The size of these small (and sketchy) pages may vary but they are approximately 2 by 3 inches each (5 x 7 cm). Since they're much smaller than the final pages, they are known as thumbnails.

This stage is very important because thumbnails are a practical, quick and effective way to define the best layout for a page (amount of panels and their shape) and where to place the main items (like characters, large props, backgrounds, etc.) Important facial expressions, action lines and perspective are also included in them.

If you try doing this on a full size board and make a gross mistake, you will have to toss that board and start over. Thumbnails prevent that because you can do about six of them in a very inexpensive sheet, to try things out until you find what works.

Note: Artists seldom care for or keep their thumbnails and toss them away.

One case doing thumbnails is mandatory is when writers or editors request the artist to do them to get their approval before drawing the final pages.

So, if you're serious about drawing comics, I suggest you always draw one or more thumbnails of your pages until you are totally satisfied with them to use as reference for the final, full size page.

Note: Thumbnails are drawn quickly and loose so they usually look very "energetic." The challenge is to produce a final page that is as energetic (or more) than its thumbnail. Unfortunately this is not always the case, sometimes because reference like photographs or 3D images is overused for poses or expressions when creating the final page, making it look static or dull.

2) Pencils Version

After the thumbnail is done (and approved if required), the artist grabs a white board that is 11 by 17 inches to draw the final page using a pencil, and the thumbnail as reference.

Note: If you are used to the metric system, 11 by 17 inches is a bit smaller than 30 x 45 cm. Comparing it to standard sizes, it is near the size of an A3 size paper.

So that's a big board. Then... Wait!

Comic books are MUCH smaller than that. Regular super hero comic books are about 6.5 by 10 inches (16 x 20 cm.)

So... Why do artists draw the final page at such a big scale?

Because it's easier to draw better at a larger scale.

In my case, I scotch an 11 by 17 inches (or A3) white board to the drawing table and using a light blue pencil, draw a 10 by 15 inches rectangle in the center (when the board doesn't already have such a rectangle.) That area is where the page is drawn.

Still using the light blue pencil, and the thumbnail as reference, I draw in a somewhat sketchy way, the entire page (including the panel borders) inside that 10 by 15 inches area. I do add details, and some of the final pencils but the overall drawing is still sketchy. This process can take an hour or so depending on the complexity of the page.

Then, I take an HB pencil and draw the entire page AGAIN, on top of the light blue pencil, but this time paying extra attention to detail, making the drawing look final. This process always takes more time than the "light blue pencil" step.

Why use a light blue pencil? And why draw the page twice?

The light blue pencil is used to draw the foundation over which the final artwork is drawn using the regular pencil.

And it is light blue (a different color than gray) to be able to erase it easily using image editing software (like Photoshop) after the page is scanned to the computer.

So when using this technique, the original artwork (the actual board that was drawn by the artist), has both light blue and regular gray pencil traces.

But the digitalized version of the page (stored in the computer with a scanner) which is later used in the following stages, has only the gray (and final) pencil traces.

This is a great technique to produce better artwork because the artist has two chances to make the drawing look just right. I suggest you to use it.

Note: Because some collectors don't like artwork that mixes light blue and gray pencils or because some artists prefer to produce very clean pencil pages, there is an alternative to the light blue pencils technique. It requires two boards and a lightbox (a special table that is used to trace drawings.) One board is used to do the sketchy drawing, and the other to do the final, "clean" drawing which is drawn on the lightbox, over and tracing the first and sketchy drawing.)

- - -

When the pencils stage is over, a great deal of the final comic book page is done. That's why the penciler (the artist who does the pencils version) is considered by most as important as the writer, and his (or her) name is shown conspicuously in the credits.

But the rest of the stages, inking, coloring and lettering, are also important, even essential to complete a comic book page.

So, we are at what, 2 to 4 hours of work so far?

The name says "comic" but this is serious business. Drawing comics is a lot of work. But it's also very creative, and fun work to do :)

Part II of this article series will describe the next stages of creating a professional comic book page.

About the Author

Comic book artist and illustrator, co-creator of the Omega Chase comic book. His portfolio at juliomolinamuscara.com has pencil portraits, comic book pages, pinups and posters of super heroes or beautiful girls, and more.

Spanish Language Comics

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Searching for a crazy new hobby?

I am a girl who is still in school and looking for a crazy, original and even maybe slightly dangerous hobby..
I play 6 instruments
I read and collect comics
I find hockey/football/netball boring
I can't draw (believe me I have tried)
I've learnt German/Spanish/Japanese and a bit of Chinese so kind of fed up of languages
Ive got a site...
And I used to do photography
so I'm running out of ideas and want to try something new, original and crazy. Oh i've also checked out that sport when you jump across rooftops there is no-groups I can join around my area, im looking for something like that. Any help?!?

Um... knitting (Stitch-N-Bitch Nation style) ?

You could also make crazy movies of all of your adventures. Then post the movies on YouTube. It's just an idea. ^_^

When i was in high school (and later, college), I did radio shows with friends (since I lacked a camcorder or video phone to make movies). You could post the radio show on a site like Blogger (http://www.blogger.com) or on your own Live 365 station (http://www.live365.com/broadcast/index.live)

A Visit from Raule, Spanish Comics Writer

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Estamos en el ano 50 antes de Jesucristo. Toda la Galia esta ocupada por los romanos Toda? No! Una aldea poblada por irreductibles galos resiste, todavia y como siempre, al invasor. Y la vida no es facil para las guarniciones de legionarios romanos en los reducidos campamentos de Babaorum, Aquarium, Laudanum y Petibonum...

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The Intertext series has been specifically designed to meet the needs of contemporary English Language Studies. Working with Texts: A Core Introduction to Language Analysis (second edition, 2001) is the foundation text, which is complemented by a range of 'satellite' titles. These provide students with hands-on practical experience of textual analysis through special topics, and can be used individually or in conjunction with Working with Texts. The Language of Comics: highly illustrated with large number of real comic strips provides a history of comics from the end of the nineteenth century to the present explores the 'semiotics of comics', from the interaction between the verbal and the visual and how texts interrelate to the way speech and thought are reported in narrative and point of view makes the case for comics as multi-modal texts and considers future developments in the genre is user friendly and accessible, and provides a full glossary.

Spanish Language


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Spanish language, Names given to the Spanish language, Spanish Empire, Spanish in the United States, Spanish language in the Philippines, Spanish dialects and varieties, Voseo, JudaeoSpanish, History of the Spanish language, Spanish orthography, Spanish phonology, Spanish grammar Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 172 Publication Date: 2010/07/29 Language: English Dimensions: 5.98 x 9.01 x 0.39 inches

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Good Night Moon- A story of innocence

It is called that the best companion of the human is book. It really provides all the things that one needs to enjoy the moment. There are some books that are written for children only. These books provide an imaginary story which is full of fun and informations also. Author tries to put all the contents which are full of knowledge.

One of these Children Books is Good Night Moon which is written by Margaret Wise Brown and illustrated by Clement Hurd. This book was published in 1947. Good Night Moon became bestseller book after sometime. It's selling touched 20,000 in 1970 and by the end of 1990 the total number of sold copies was more than 4.3 million. Good Night Moon is a classic children story book that tells about a child who is saying good night to everyone around him: Goodnight light, Goodnight bedroom, Goodnight red balloon etc. It is really highly loved book which contains very tender literature. One side of this books is that it detailed in very nice illustrations. Though the story ends in the one bedroom but one can get a lot of fun from page to page.

Good Night Moon includes a lot of references to The Runway Bunny. Such as the painting of the 'cow jumping over the moon' was first read in The Runway Bunny. Besides, the top self of the book includes a copy of The Runway Bunny.

In 1999, HBO released an animated movie on this book telling a story of children who are talking with the moon, painting hanging in their room and other thing in the room. Seeing it's popularity, author decided to translate it onto many languages. It is available in French, Swedish, Spanish language. To find the informations on this book, you can visit many portals of Cheap Books. All of these are well fed with the price list and availability status. You can also find Children Audio Books on such portals.

About the Author

Jacko Liver is one of many professional writers on this website. He has been writing interesting and thought-provoking articles on Books and Magazines, Comic Books and Romantic Books in th UK with cheap books visit our books shop.

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My Children - I have discovered that some artists have built vulgar works - will you ban them?

http://en.wikipedia.org/wiki/Image:Michaelangelo_David.jpg

http://en.wikipedia.org/wiki/Image:Botticelli_Venus.jpg

http://en.wikipedia.org/wiki/Image:PPlaqueB.png

http://en.wikipedia.org/wiki/Image:Michelangelo_drunken_Noah.jpg

I didn't give you people sensual and exciting sex organs to be used for your own amusement. I gave them to you to cover up and pretend that they aren't there.
From now on, if you see any nudity at all you should either cover it up, burn it or poke out your eyes. (This includes your own 'dirty bits'.)
And as always, any art that does not please me should be destroyed so that no one will ever be tempted to do anything filthy. In fact all art should just be destroyed. Except the comic strip Marmaduke, I love that wacky Great Dane.

Thus the Lord Your GOD has spoken, so let it be done.

Nope. Art is in the eye of the beholder and I think all your examples are beautiful. Remember, supposedly you gave us freewill so don't tell us what to do with it.

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From the writer of the Universal hit, Wanted, comes his next graphic novel on the way to becoming a feature film! American Jesus Volume 1: Chosen follows a twelve-year-old boy who suddenly discovers he's returned as Jesus Christ...

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In 1992, seven artists shook the comic book industry when they left their top-selling Marvel Comic titles to jointly form a new company named Image Comics. Out of the gate, millions of readers flocked to the energetic adventures by these creators, as together they ushered in the Image Age, where comics would sell in the millions, and a comic book artist could become a mass media celebrity. Image Comics: The Road to Independence is an unprecedented look at the history of this important comic book company, featuring interviews and art from popular Image founders Erik Larsen, Jim Lee, Todd McFarlane, Whilce Portacio, Marc Silvestri and Jim Valentino. Also featured are many of finest creators who over the last 15 years have been a part of the Image family, offering behind-the-scenes details of the company's successes and failures. There's plenty of rare and unseen art, helping make this the most honest exploration ever taken of the controversial company whose success, influence and high production values changed the landscape of comics forever.

Navajo people

Housing

The Navajo traditionally live in octagonal houses known as hogans. Hogans are houses of forked poles and brush covered with earth. According to Kehoe, this style of housing is distinctive to the Navajo, even going as far as saying that, "even today, a solidly constructed, log walled Hogan is preferred by many Navajo families." However, the Navajo have another style of housing. Around the 17th century, the Navajo built rectangular stone homes known as pueblitos. These pueblitos are believed to have been adopted by the Navajos from Pueblo culture, and resemble small Pueblo houses.

Subsistence

Until they came into contact with the Spanish and Pueblos, the Navajo were hunters and gatherers. They adopted farming techniques and crops from the Pueblo people, growing mainly corn, beans, and squash. As a result of Spanish influence, they began herding sheep and goats, depending on them for their use in trade and food. (Kehoe, 133) They turned harvested wool into blankets and clothing which could be used for trading or personal use. They also depended on their flocks of sheep for meat. Their lives depended on sheep so much that, to the Navajo, sheep were in a sense currency and a mark of social status.

History

Early history

The Navajo/Din speak dialects of the language family referred to as Athabaskan. These people were once a single ethnic group that probably came from near the Great Slave Lake, in the modern Northwest Territories of Canada, having crossed the Bering land bridge thousands of years previously. In addition to language speakers residing in Utah, Colorado, New Mexico, and Arizona, Athabaskan speakers are also found living today in Alaska and parts of northern Canada. An aboriginal people known as Dene live in an area centered around Great Slave Lake and have communities in the far north of adjacent provinces. The Apache, living in the American Southwest and other nearby areas, are also Southern Athabaskan speakers and are closely related to the Navajo/Din. Despite the time elapsed, these people reportedly can still understand the language of their long-lost cousins, the Navajo.[citation needed]

Archaeological and historical evidence suggests that the Athabaskan ancestors of the Navajo and Apache entered the Southwest after 1000 AD, with substantial population increases occurring in the 13th century. Navajo oral traditions are said to retain references of this migration.

Navajo oral history also seems to indicate a long relationship with Pueblo people and a willingness to adapt foreign ideas into their own culture. Trade between the long-established Pueblo peoples and the Athabaskans was important to both groups. The Spanish records say by the mid 16th century, the Pueblos exchanged maize and woven cotton goods for bison meat, hides and material for stone tools from Athabaskans who either traveled to them or lived around them. In the 18th century, the Spanish reported that the Navajo had large numbers of livestock and large areas of crops. The Navajo probably adapted many Pueblo ideas into their own very different culture.

The Spanish first use the word Navajo ("Apachu de Nabajo") specifically in the 1620s, referring to the people in the Chama valley region east of the San Juan River and northwest of Santa Fe. By the 1640s, the term Navajo was applied to these same people. The Spanish recorded in 1670s they were living in a region called Dinetah, which was about sixty miles (100 km) west of the Rio Chama valley region. In the 1780s, the Spanish were sending military expeditions against the Navajo in the southwest and west of that area, in the Mount Taylor and Chuska Mountain regions of New Mexico.

In the last 1,000 years, Navajos have a history of expanding their range and refining their self-identity and their significance to other groups. This probably resulted from a cultural combination of endemic warfare (raids) and commerce with the Pueblo, Apache, Ute, Comanche and Spanish peoples, set in the changing natural environment of the Southwest.

Conflict with Europeans

The Spanish started to establish a military force along the Rio Grande in the 17th century to the east of Dinetah (the Navajo homeland). Spanish records indicate that Apachean groups (which might include Navajo) allied themselves with the Pueblos over the next 21 years, successfully pushing the Spaniards out of this area following the Pueblo Revolt of 1680. Raiding and trading were part of traditional Apache and Navajo culture, and these activities increased following the introduction of the horse by the Spaniards, which increased the efficiency and frequency of raiding expeditions. The Spanish established a series of forts that protected new Spanish settlements and also separated the Pueblos from the Apaches. The Spaniards and later Mexicans recorded what are called punitive expeditions among the Navajo that also took livestock and human captives. The Navajo in turn raided settlements far away in a similar manner. This pattern continued, with the Athabaskan groups apparently growing to be more formidable foes through the 1840s until the United States Army arrived in the area.

New Mexico Territory

Manuelito, Navajo chief

Officially, the Navajos first came in contact with forces of the United States of America in 1846, when General Stephen W. Kearny invaded Santa Fe with 1,600 men during the Mexican American War. The Navajo did not recognize the change of government as legitimate. In September, Kearny sent two detachments to raid and subdue the Navajo. Kearny later took 300 men on an expedition to California from Santa Fe. As they traveled past Navajo homelands, his force lost livestock. He ordered another expedition against the Navajo, and this resulted in the first treaty with the United States government in November at Canyon de Chelly.

In the next 10 years, the U.S. established forts in traditional Navajo territory. Military records state this was to protect citizens and Navajo from each other. However, the old Spanish/Mexican-Navajo pattern of raids and expeditions against one another continued. New Mexican (citizen and militia) raids increased rapidly in 186061 earning it the Navajo name Naahondzood, "the fearing time."

In 1861 Brigadier-General James H. Carleton, the new commander of the Federal District of New Mexico, initiated a series of military actions against the Navajo. Colonel Kit Carson was ordered by Carleton to conduct expedition into Navajoland and receive their surrender on July 20, 1863. A few Navajo surrendered. Carson was joined by a large group of New Mexican militia volunteer citizens and these forces moved through Navajo land killing Navajos and destroying any Navajo crops, livestock or dwellings they came across. Facing starvation, Navajos groups started to surrender in what is known as The Long Walk.

Long Walk

Main article: Long Walk of the Navajo

Starting in the spring of 1864, around 9,000 Navajo men, women and children were forced on The Long Walk of over 300 miles (480 km) to Fort Sumner, New Mexico. This was the largest reservation (called Bosque Redondo)[citation needed] attempted by the U.S. government. It was a failure for a combination of reasons. It was designed to supply water, wood, supplies, and livestock for 4,0005,000 people, it had one kind of crop failure after another, other tribes and civilians were able to raid the Navajo, and a small group of Mescalero Apaches had been moved there. In 1868, a treaty was negotiated that allowed the surviving Navajos to return to a reservation that was a portion of their former nation.

Conflict on the Reservation

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The United States military continued to maintain the forts. Some Navajo were employed by the military as ndian Scouts through 1895. A Navajo Tribal Police operated between 1872 and 1875 and was used by the Navajo themselves to stop raiders from their tribe; it was created by Manuelito.

By treaty, the Navajo people were allowed to leave the reservation with permission to trade. Raiding by the Navajo essentially stopped, because they were able to increase the size of their livestock and crops, and not have to risk losing them to others. However, while the initial reservation increased from 3.5 million acres (14,000 km) to the 16 million acres (65,000 km) of today, economic conflicts with the non-Navajo continued. Civilians and companies raided resources that had been assigned to the Navajo. Livestock grazing leases, land for railroads, and mining permits are a few examples of actions taken by agencies of the U.S. government who could and did do such things on a regular basis.

Navajo woman & child

Regional newspapers have many accounts of Navajo and non-Navajo conflicts in this period. These conflicts were often embellished, for political purposes, by regional politicians. In some of these accounts, every Navajo was just about to leave the reservation and pillage the countryside or worse. While it is probably true that some Navajo strayed, it is equally true that some white citizens clearly strayed from the laws of the land themselves. In their reports, the U.S. Military never seemed to be that alarmed about a Navajo uprising, and they clearly did not want the Navajo stirred up by their neighbors.

In 1883, Lt. Parker went up to the San Juan River to separate Navajos and citizens who encroached on Navajo land with 10 enlisted men and two scouts. In the same year, Lt. Lockett, with the aid of 42 enlisted soldiers, was joined by Lt. Holomon at Navajo Springs. Evidently, citizens of the surname(s) Houck and/or Owens had murdered a Navajo chief's son and 100 armed Navajos were consequently looking for them.

In 1887, citizens Palmer, Lockhart, and King fabricate a charge of horse stealing and attack a random home on the reservation. Two Navajo men and all three whites died, but a woman and a child survived. Capt Kerr (with two Navajo scouts) examined the ground and then met with several hundred Navajo at Houcks Tank. Rancher Bennett, whose horse was allegedly stolen, pointed out to Kerr that his horses were stolen by the three whites to catch a horse thief. In the same year, Lt. Scott went to the San Juan River with two scouts and 21 enlisted men. The Navajo believed Lt. Scott was there to drive off the whites who have settled on the reservation and have fenced off the river from the Navajo. Scott tells them to wait, and he finds evidence of many non-Navajo ranches. However, only three are active, and the owners refuse to leave, wanting payment for their improvements. Scott ejected them.

In 1890, a local rancher refuses to pay the Navajo a fine of livestock. The Navajos try to collect it, and whites in southern Colorado and Utah claim that 9,000 of the Navajo people are on a warpath. A small military detachment out of Fort Wingate restores white citizens to order.

In 1913, an Indian agent orders a Navajo and his three wives to come in, and then arrests them for having a plural marriage. A small group of Navajo use force to free the women and retreat to Beautiful Mountain with 30 or 40 sympathizers. They refuse to surrender to the agent, and local law enforcement and military refuse the agent's request for an armed engagement. General Scott arrives, and with the help of Chee Dodge, defuses the situation.

In the 1930s, the United States government took action against the Navajo that was as culturally and economically devastating as the Long Walk. The United States government claimed the Navajos livestock was overgrazing the land. In another experiment, it decided to immediately kill over 80% of their livestock in what is known as the Navajo Livestock Reduction and start a permit system.

There were people who were sympathetic to the plight of the Navajo. In 1937, Mary Cabot Wheelright and Hastiin Klah, an esteemed and influential Navajo singer, or medicine man, founded The Wheelwright Museum of the American Indian as a repository for sound recordings, manuscripts, paintings, and sandpainting tapestries of the Navajo people and a place to sense the beauty, dignity, and profound logic of Navajo religion. When he met Cabot in 1921, Klah had witnessed decades of relentless efforts by the United States government and by missionaries to assimilate the Navajo people into mainstream society. Children were removed from their homes and placed in boarding schools, where they were punished for speaking their language and forced to adopt Christianity. The museum was founded to preserve the religion and traditions of the Navajo people, which Klah was sure would soon be lost forever.

In the 1940s, during World War II, the United States denied the Navajos relief because of the Navajos communal society. Eventually, in December 1947, the Navajos were provided relief in the post war period to relieve the hunger that they had to endure for many years.

Culture

A Navajo boy on horseback, in 2007, in Monument Valley, Arizona

Sheep remain an important aspect in Navajo Tradition and Culture.

The name avajo comes from the late 18th century via the Spanish (Apaches de) Navaj "(Apaches of) Navaj", which was derived from the Tewa navah "fields adjoining a ravine". The Navajo call themselves Din, which means "the people". Nonetheless, most Navajo now acquiesce to being called "Navajo."

Traditionally, like other Apacheans, the Navajo were semi-nomadic from the 16th through the 20th centuries. Their extended kinship groups would have seasonal dwelling areas to accommodate livestock, agriculture and gathering practices. As part of their traditional economy, Navajo groups may have formed trading or raiding parties, traveling relatively long distances.

A Navajo man working as a tourist guide, in 2007, in Monument Valley, Arizona

Historically, the structure of the Navajo society is largely a matrilocal system in which only women were allowed to own livestock and land. Once married, a Navajo man would move into his bride's dwelling and clan since daughters (or, if necessary, other female relatives) were traditionally the ones who received the generational inheritance. Any children are said to belong to the mother's clan and be "born for" the father's clan. The clan system is exogamous, meaning it was, and mostly still is, considered a form of incest to marry or date anyone from any of a person's four grandparents clans.

Navajo hogan

A hogan is the traditional Navajo home. These eight-sided houses are made of wood and covered in mud, with the door always facing east to welcome the sun each morning.

For those who practice the Navajo religion the hogan is considered sacred. The religious song "The Blessingway" describes the first hogan as being built by Coyote with help from beavers to be a house for First Man, First Woman, and Talking God. The Beaver People gave Coyote logs and instructions on how to build the first hogan. Navajos made their hogans in the traditional fashion until the 1900s, when they started to make them in hexagonal and octagonal shapes. Today they are rarely used as actual dwellings, but are maintained primarily for ceremonial purposes.

The Navajo people traditionally hold the four sacred mountains as the boundaries of the homeland they should never leave: Blanca Peak (Tsisnaasjini' Dawn or White Shell Mountain) in Colorado, Mount Taylor (Tsoodzil Blue Bead or Turquoise Mountain) in New Mexico, the San Francisco Peaks (Doko'oosliid Abalone Shell Mountain) in Arizona, and Hesperus Mountain (Dib Nitsaa Big Mountain Sheep) in Colorado.

Arts and crafts

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Silver Work

19th Century Navajo jewelry with the popular concho and dragonfly designs.

Silversmithing is said to have been introduced to the Navajo while they were in captivity at Fort Sumner in eastern New Mexico in 1864. At that time Atsidi Sani learned silversmithing and began teaching others the craft as well. By 1880 Navajo silversmiths were creating handmade jewelry including bracelets, tobacco flasks, necklaces, bow guards. Later smiths also made earrings, buckles, bolos, hair ornaments and pins. Turquoise has been used with jewelry by the Navajo for hundreds of years, but they did not use turquoise inlay, in silver, until the past century.

Weaving

Navajo weaver with sheep

Though some people say the Navajo learned the art of weaving from the Pueblo people, the origins of Navajo weaving may never be known. The first Spaniards to visit the region wrote about seeing Navajo blankets. By the 18th century the Navajo had begun to import yarn with their favorite color, Bayeta red. Using an upright loom the Navajos made almost exclusively utilitarian blankets. Little patterning and few colors on almost all blankets, except for the much sought after Chief's Blanket, which evolved from the 1st Phase, few wide bands, to the 2nd phase, wide bands with squares on the corners, to the 3rd Phase, which made more and more use of patterns and colors. Around the same time the Navajo people, who had long started traded for commercial wool, often from the uniforms of soldiers, rewove these into intricate multicolored blankets called Germantown.

Navajo art

Some early American settlers moved in and set up trading posts, often buying Navajo Rugs by the pound and selling them back east by the bale. Still these traders encouraged the locals to weave blankets and rugs into distinct styles. They included "Two Gray Hills" (predominantly black and white, with traditional patterns), "Teec Nos Pos" (colorful, with very extensive patterns), "Ganado" (founded by Don Lorenzo Hubbell), red dominated patterns with black and white, "Crystal" (founded by J. B. Moore), oriental and Persian styles (almost always with natural dyes), "Wide Ruins", "Chinlee", banded geometric patterns, "Klagetoh", diamond type patterns, "Red Mesa" and bold diamond patterns. Many of these patterns exhibit a fourfold symmetry, which is thought by Gary Witherspoon to embody traditional ideas about harmony or hzh.

Notable Navajo artists, dancers, and musicians

Ryan Singer, Navajo painter

Orville Tsinnie, silversmith/goldsmith

Atsidi Sani, silversmith

Raven Chacon, composer

Hosteen Klah, weaver

R.C. Gorman, painter

Yazzie Johnson, jeweler

Gerald Nailor, Sr., painter

R. Carlos Nakai, musician

Clara Sherman, weaver

Tommy Singer, silversmith

Jock Soto, ballet dancer

Douglas Spotted Eagle, musician

Emmi Whitehorse, painter

Melanie Yazzie, printmaker

Blackfire, rock band

James and Ernie, comic duo

Reggie Mitchell, martial artist

James Bilagody, Comedian, Song Writer, Recording Artist

Healing and spiritual practices

Navajo man in ceremonial dress with mask and body paint, c. 1904.

Navajo spiritual practice is about restoring health, balance, and harmony to a person's life. One exception to the concept of healing is the Beauty Way ceremony: the Kinaald, or a female puberty ceremony. Others include the Hooghan Blessing Ceremony and the "Baby's First Laugh Ceremony." Otherwise, ceremonies are used to heal illnesses, strengthen weakness, and give vitality to the patient. Ceremonies restore Hozh, or beauty, harmony, balance, and health.

When suffering from illness or injury, Navajos will traditionally seek out a certified, credible Hataii (medicine man) for healing, before turning to Western medicine (e.g., hospitals). The medicine man will use several methods to diagnose the patient's ailments. This may include using special tools such as crystal rocks, and abilities such as hand-trembling and Hata (chanting prayer). The medicine man will then select a specific healing chant for that type of ailment. Short prayers for protection may only take a few hours, and in some cases, the patient is expected to do a follow-up afterwards. This may include the avoidance of sexual relations, personal contact, animals, certain foods, and certain activities; it is not unlike a doctor's advice.

Possible causes of ailments could be the result of violating taboos. Contact with lightning-struck objects, exposure to taboo animals such as snakes, and contact with the dead are some of reasons for healing. Protection ceremonies, especially the Blessing Way Ceremony, are used for Navajos that leave the boundaries of the four sacred mountains, and is used extensively for Navajo warriors or soldiers going to war. Upon re-entry, there is an Enemy Way Ceremony, or Nid', performed on the person, to get rid of the evil things in his/her body, and to restore balance in his/her life. This is also important for Navajo warriors/soldiers returning from battle. Warriors or soldiers often suffer spiritual or psychological damage from participating in warfare, and the Enemy Way Ceremony helps restore harmony to the person, mentally and emotionally.

There are also ceremonies used for curing people from curses. Many people often complain of witches and skin-walkers that do harm to their minds, bodies, and even families. Ailments aren't necessarily physical. It can take any form it wishes. The medicine man is often able to break the curses that witches and skin-walkers put on families. Mild cases do not take very long, but for extreme cases, special ceremonies are needed to drive away the evil spirits. In these cases, the medicine man may find curse objects implanted inside the victim's body. These objects are used to cause the person pain and illness. Examples of such objects include bone fragments, rocks and pebbles, bits of string, snake teeth, owl feathers, and even turquoise jewelry.

There are said to be approximately fifty-eight to sixty sacred ceremonies. Most of them last four days or more; to be most effective, they require that relatives and friends attend and help out. Outsiders are often discouraged from participating in case they become a burden to others or violate a taboo. This could affect the turnout of the ceremony. The ceremony must be done in precisely the correct manner to heal the patient. This includes everyone that is involved.

Medicine men must be able to correctly perform a ceremony from beginning to end. If he does not, the ceremony will not work. Training a Hataii to perform ceremonies is extensive, arduous, and takes many years, and is not unlike priesthood, with the governing body or hierarchy omitted. The apprentice learns everything by watching his teacher, and memorizes the words to all the chants. Many times, a medicine man cannot learn all sixty of the ceremonies, so he will opt to specialize in a select few.

The origin of spiritual healing ceremonies dates back to Navajo mythology. It is said the first Enemy Way ceremony was performed for Changing Woman's twin sons (Monster Slayer and Born-For-the-Water) after slaying the Giants (the Y'ii) and restoring Hozh to the world and people. The patient identifies with Monster Slayer through the chants, prayers, sandpaintings, herbal medicine and dance.

Another Navajo healing, the Night Chant ceremony, is administered as a cure for most types of head ailments, including mental disturbances. The ceremony, conducted over several days, involves purification, evocation of the gods, identification between the patient and the gods, and the transformation of the patient. Each day entails the performance of certain rites and the creation of detailed sand paintings. On the ninth evening a final all-night ceremony occurs, in which the dark male thunderbird god is evoked in a song that starts by describing his home:

In Tsegihi [White House],

In the house made of the dawn,

In the house made of the evening light

(Sandner, p. 88)

The medicine man proceeds by asking the Holy People to be present, then identifying the patient with the power of the god and describing the patient's transformation to renewed health with lines such as "Happily I recover." (Sandner, p. 90). The same dance is repeated throughout the night, about forty eight times. Altogether the Night Chant ceremony takes about ten hours to perform, and ends at dawn.

In the media

In 2000 the documentary The Return of Navajo Boy was shown at the Sundance Film Festival. It was written in response to an earlier film, The Navajo Boy which was somewhat exploitative of the Navajo People involved. The Return of Navajo Boy allowed the Navajo People to be more involved in the depicting of their own people.

See also

Shonto Begay, Din painter

Blackfire

Navajo (disambiguation)

Navajo-Churro sheep

Navajo Code Talker

Navajo language

Navajo-language films

Navajo Nation

Navajo mythology

Navajo pueblitos

Notes

^ "The American Indian and Alaska Native Population: 2000". Census 2000 Brief. 2002-02-01. http://www.census.gov/prod/2002pubs/c2kbr01-15.pdf. Retrieved 2007-03-10. 

^ a b Kehoe, 133

^ For example, the Great Canadian Parks website suggests that the Navajo may be descendants the lost Naha tribe, a Slavey tribe from the Nahanni region west of Great Slave Lake. "Nahanni National Park Reserve". Great Canadian Parks. http://canadianparks.com/northwest/nahninp/page2.htm. Retrieved 2007-07-02. 

^ Hosteen Klah page 102 and others

^ Nash, Gary B., Julie Roy Jeffrey, John R. Howe, Peter J. Frederick, Allen F. Davis, Allan M. Winkler, Charlene Mires, and Carla Gardina Pestana. The American People, Concise Edition Creating a Nation and a Society, Combined Volume (6th Edition), 847. New York: Longman, 2007.

^ Bernstein, Alison R. American Indians and World War II Toward a New Era in Indian Affairs. New York: University of Oklahoma P, 1999.

^ "Synopsis". navajoboy.com. http://www.navajoboy.com/press.htm. Retrieved 2009-02-26. 

References

Bailey, L. R. (1964). The Long Walk: A History of the Navaho Wars, 18461868.

Bighorse, Tiana. (1990). Bighorse the Warrior. Ed. Noel Bennett, Tucson: University of Arizona Press.

Brown, Dee (1970). Bury My Heart at Wounded Knee. ISBN 0-330-23219-3. 

Brugge, David M. (1968). Navajos in the Catholic Church Records of New Mexico 16941875. Window Rock, Arizona: Research Section, The Navajo Tribe. 

Clarke, Dwight L. (1961). Stephen Watts Kearny: Soldier of the West. Norman, Oklahoma: University of Oklahoma Press a

Downs, James F. (1972). The Navajo. New York: Holt, Rinehart, and Winston.

Dyke, Walter (1967). Son of Old Man Hat. Lincoln, Nebraska: Bison Books & University of Nebraska Press. LCCN 44-2654. 

Forbes, Jack D. (1960). Apache, Navajo and Spaniard. Norman, OK: University of Oklahoma Press. LCCN 60-13480. 

Gilpin, Laura. (1968). The Enduring Navaho. Austin: University of Texas Press.

Gold, Peter (1994). Navajo & Tibetan Sacred Wisdom: The Circle of the Spirit. Rochester, Vermont: Inner Traditions International. ISBN 0-89281-411-X. .

Hammond, George P. and Rey, Agapito (editors) (1940). Narratives of the Coronado Expedition 15401542. Albuquerque: University of New Mexico Press.

Henderson, Richard.(1994). eplicating Dog Travois Travel on the Northern Plains. Plains Anthropologist, V39:14559

Iverson, Peter. (2002). Din: A History of the Navahos. Albuquerque: University of New Mexico Press. ISBN 0-8263-2714-1

Kehoe, Alice Beck. North American Indians a comprehensive account. Upper Saddle River, N.J: Prentice-Hall, 2005. Print.

Kelly, Lawrence (1970). Navajo Roundup, Pruett Pub. Co., Colorado.

Kluckholm, Clyde & Leighton, Dorothea (1946). The Navaho. Cambridge: Oxford University Press.

Loewen, James. W. (1999). Lies Across America. Pages 100101; The New Press.

McNitt, Frank. (1972). Navajo Wars. Albuquerque: University of New Mexico Press.

Newcomb, Franc Johnson (1964). Hosteen Klah: Navajo Medicine Man and Sand Painter. Norman, Oklahoma: University of Oklahoma Press. LCCCN 64-20759. 

Plog, Stephen. Ancient Peoples of the American Southwest. Thames and London, LTD, London, England, 1997. ISBN 0-500-27939-X.

Compiled (1973). Roessel, Ruth (editor). Navajo Stories of the Long Walk Period. Tsaile, Arizona: Navajo Community College Press.

Compiled (1974). Roessel, Ruth. ed. Navajo Livestock Reduction: A National Disgrace. Tsaile, Arizona: Navajo Community College Press. ISBN 0-912586-18-4. 

Terrell, J. U. (1970). The Navajos.

Underhill, Ruth M. (1956). The Navahos. Norman: The University of Oklahoma Press.

Witherspoon, Gary. (1977). Language and Art in the Navajo Universe. Ann Arbor: University of Michigan Press.

Witte, Daniel. Removing Classrooms from the Battlefield: Liberty, Paternalism, and the Redemptive Promise of Educational Choice, 2008 BYU Law Review 377 The Navajo and Richard Henry Pratt

Zaballos, Nausica. (2009). Le systme de sant navajo. Paris: L'Harmattan. ISBN: 978-2-296-07975-5

External links

Wikimedia Commons has media related to: Navajo

Middle Ground Project of Northern Colorado University with images of U.S. documents of treaties and reports 18461931

Navajo People information by State of Utah

A Brief Overview of the Navajo People (as of October 18, 2004)

Navajo Silversmiths, by Washington Matthews, 1883 from Project Gutenberg

Navajo Institute for Social Justice

Navajo Jewelry Information

Navajo Artcrafts Website created by students of GreyHills Academy High School in Tuba City AZ.

Navajo weaving

Historic photos of Navajo people, Timothy H. O'Sullivan, photographer

Spanish-Navajo dictionary on line AULEX

Navajo Tourism Website for the Navajo Tourism Department

Non-Profit Navajo Arts & Crafts Enterprise

 "Navajo Indians". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. http://en.wikisource.org/wiki/Catholic_Encyclopedia_(1913)/Navajo_Indians. 

The Long Trail, by Jessa Gamble, Up Here magazine (Yellowknife, NT). Archaeological ties between Dene and Dineh.

archive.org search for archive collections about the navajo

The Return of Navajo Boy, a documentary showing how Navajos have been depicted historically

v  d  e

Navajo Nation

People and culture

Navajo people  Navajo language  Navajo music  Navajo mythology  Din College  Supreme Court of the Navajo Nation   Navajo Nation Council Chamber   Chapter houses   Navajo rug   Navajo-Churro sheep

History

Navajo Wars  Long Walk of the Navajo  Navajo Scouts  Navajo pueblitos  Code talker  Dinetah  Barboncito  Manuelito  Narbona

Categories: Navajo tribe | Utah NavajosHidden categories: "Related ethnic groups" needing confirmation | All articles with unsourced statements | Articles with unsourced statements from April 2008 | Articles with unsourced statements from November 2009 | Articles needing additional references from April 2009 | All articles needing additional references | Articles needing cleanup from March 2009 | All pages needing cleanup
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Easy Gif2Swf is a powerful utility that uniquely supports to convert animated GIF to Macromedia Flash SWF .
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Easy Gif2Swf Feature Summary
Batch conversion for Gif to Swf.
Convert to BMP and TGA images sequence.
Capture a frame to a bmp,jpeg,gif,tiff,png file.
Provide seek controller that help to fast locate frame number range for conversion.
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If you cannot find the answer to your question on this page, please use the following e-mail Address contact us
Email: supp...@789soft.com
1 - How to export a single picture?
In the gif picture display area click right key you will see a pop-up menu ,
click the button " ExportSingle" then select a picture format you want to save. then click the button "Save" to save it..
2 - How to export the bmp sequences?
In the gif picture display area click right key you will see the button "Export BMP Sequence "in the pop-up menu ,
click the button "Export BMP Sequence "you can export bmp sequences.
3 - How can I set the directory of converted image files?
Click the button "..." below the text "Export Config" you can select the directory.
4 - How can I converte a animated gif file to a swf file?
Step 1: Click the button "Open File" to select a gif file.
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Step 3: Clicked the button "Convert To Swf".
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Copyright ?2008 789Soft Inc. ALL RIGHTS RESERVED

About the Author

gif2swf,easy gif2swf,gif,swf,http://www.789soft.com

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do you like my poem "waiting lady"?

the waiting lady

She lies in a twisted sea of vines
the ivy curling around her
invading her mind
pulling her in farther.

She sits for years,stone skin cold
black hair rustling in windless nights
she tries to get away with her crime,
but there is no one to read her rights.

Her beady black eyes staring soulessly
into a deep moonless sky
the pit of her existence
is no longer the apple of his eye.

So here she waits, the waiting lady
hoping for a chance at life and breath
waiting for something that may never come,
as she waits in death.

But wait! here he comes
paired with a white steed
he slays the dragon,
does the good deed.

He saves her,
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watcha think?

I love it. Bloody brilliant! So evocative and the imagery? Wow! Wonderful work...thank you for sharing!

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Best deals too.

http://www.mycomicshop.com
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JANUARY 1994 ISSUE OF WILDCATS #7 BY IMAGE COMICS AND JIM LEE.

WILDCATS NO. 5 IMAGE COMICS JIM LEE!
WILDCATS NO. 5 IMAGE COMICS JIM LEE!
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NOVEMBER 1993 ISSUE OF WILDCATS COMIC #5 BY JIM LEE AND IMAGE COMICS.

WildCats #14
WildCats #14
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Wildcats Covert-action-teams 10
Wildcats Covert-action-teams 10
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All comics we sell come Bagged and Boarded.This book is in NM-Mint condition.From my own private collection.I ship all orders within 24hrs so you get it fast.

Wildcats Covert-action-teams 6
Wildcats Covert-action-teams 6
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Wildcats Covert-action-teams 9
Wildcats Covert-action-teams 9
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Image Comics Wildcats / X-Men The Golden Age No. # 1 February 1997
Image Comics Wildcats / X-Men The Golden Age No. # 1 February 1997
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Wildcats (Covert Action Teams) #1 (Resurrection Day part 1)
Wildcats (Covert Action Teams) #1 (Resurrection Day part 1)
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Regular cover edition. "Resurrection Day!" Part 1 of 4. A diminutive homeless man wakes up one day and realizes he's actually an immortal alien warlord who has been at war for over a millennia. Jacob Marlowe forms the covert super-human squad known as WildC...


Image Comics


Image Comics


$127.45


Image Comics is an American comic book publisher. It was founded in 1992 by seven highprofile illustrators as a venue where creators could publish their material without giving up the copyrights to the characters they created, as creatorowned properties. Along with DC, Marvel and Dark Horse, Image Comics is one of the four largest comic book publishers in America. Its bestknown series include Spawn, Pitt, The Savage Dragon, Shadowhawk, Youngblood, Supreme, WildC.A.T.s, Gen, Wetworks, Cyberforce, Witchblade, The Darkness, Invincible, the third volume of Teenage Mutant Ninja Turtles, and The Walking Dead. Author: Miller, Frederic P./ Vandome, Agnes F./ McBrewster, John Binding Type: Paperback Number of Pages: 212 Publication Date: 2010/04/21 Language: English Dimensions: 5.98 x 9.01 x 0.48 inches

Image Comics Limited Edition


Image Comics Limited Edition


$78.95


At last! After years of waiting, the much-anticipated IMAGE COMICS HC is here! The four remaining Image founders return to the characters that made them sensations for a celebration of the ...

Image Comics: The Road To Independence


Image Comics: The Road To Independence


$36.95


In 1992, seven artists shook the comic book industry when they left their top-selling Marvel Comic titles to jointly form a new company named Image Comics...

Image Comics: The Road to Independence


Image Comics: The Road to Independence


$32.36


In 1992, seven artists shook the comic book industry when they left their top-selling Marvel Comic titles to jointly form a new company named Image Comics. Out of the gate, millions of readers flocked to the energetic adventures by these creators, as together they ushered in the Image Age, where comics would sell in the millions, and a comic book artist could become a mass media celebrity. Image Comics: The Road to Independence is an unprecedented look at the history of this important comic book company, featuring interviews and art from popular Image founders Erik Larsen, Jim Lee, Todd McFarlane, Whilce Portacio, Marc Silvestri and Jim Valentino. Also featured are many of finest creators who over the last 15 years have been a part of the Image family, offering behind-the-scenes details of the company's successes and failures. There's plenty of rare and unseen art, helping make this the most honest exploration ever taken of the controversial company whose success, influence and high production values changed the landscape of comics forever.

The Language of Comics: Word and Image


The Language of Comics: Word and Image


$31.42


With essays by Jan Baetens, David A. BeronA, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr., Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question. This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Berona, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman. The last four essays explore the integration of words and images. Among five comic book adaptations of Hamlet Marion D. Perret finds one in which words and images form a dialectic. Jan Baetens critiques the semiotically inspired theory of Phillippe Marion. Catherine Khordoc explores speech balloons in Asterix the Gaul. Gene Kannenberg, Jr., demonstrates how the Chicago-based artist Chris Ware blurs the difference between word and image. "The Language of Comics," however, is the first collection of critical essays on comics to explore a single issue as it affects a variety of comics. Robin Varnum, an instructor of English at the American International College in Springfield, Massachusetts, has been published in "Writing on the Edge," "Journal of Advanced Composition," "Harvard Library Bulletin," and "Rhetoric Society Quarterly." Christina T. Gibbons, an independent scholar living in Brattleboro, Vermont, has been published in "Journal of Regional Cultures."

Wraith (Image Comics)


Wraith (Image Comics)


$111.53


Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Spencer Bridges is a fictional comic book superhero, a member of the superhero team Dynamo 5, which appears in the monthly series of the same name from Image Comics. Created by writer Jay Faerber and artist Mahmud A. Asrar, He first appeared in Dynamo 5 #1 (January 2007). Myriad is a half human, half extraterrestrial hybrid, the child of an alien woman and the Earth superhero, Captain Dynamo, from whom he inherited superhuman abilities. For the first 24 issues of the series, the character possessed shapeshifting abilities and went by the codename Myriad, though for a brief time he masqueraded as a female masked vigilante called Vigil, who exhibited superhuman strength, speed, and expertise in martial arts and acrobatics. It was later revealed that for some time, he had been taking an illegal drug called Flex, that granted him his elevated strength and speed, powers that remained permanently bonded to his halfalien physiology after he ceased taking the drug. Author: Surhone, Lambert M./ Tennoe, Mariam T./ Henssonow, Susan F. Binding Type: Paperback Number of Pages: 156 Publication Date: 2011/08/05 Language: English Dimensions: 9.02 x 5.98 x 0.36 inches

Comics


Comics


$15.95


Comics

Wildcats???


Wildcats???


$15.95


Wildcats???

Wildcats


Wildcats


$6.99


Wildcats